Exhibition opening 27th November LJGalerie, Amsterdam
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The plan is to print on top of a digital print to create a hybrid surface that has links to my current work called the grid series.
To create the lino plate I used the string technique that I developed in my recent paintings. I used a water based paint to string print the lino, then over a period of 3 days carefully cut out the marks left by the print.

Once the string print was dry I cut away the marks made. After a number of different attempts to find a printing ink that has an even finish and sticks to a digital print I have found an oil based lino printing ink. In the Netherlands, I found Peter van Ginkel own brand Hoogdrukinkt which is linseed based with a drying agent and it is partially washable.I will need to see whether the print fully dries and remains attached to the digital print.

The print has the potential to be used in different directions to create a layered string image. I would also like to print on to digital canvas prints, that’s next on my list!
I am developing my string-print technique and printing on found objects, in this case a metal tea tin. I have cleaned the surface with white spirit and wire wool then used a metal primer spray to prepare the surface. The primer is actually a good base colour for the first layer.
I am now using plastic rope as a reusable and washable tool for print making; this produces a similar print affect as the mending yarn and comes in different widths.
The idea is to apply a layered surface to something old and discarded. This will enhance the object and while keeping its origin function and shape, the surface transforms it’s visual identity.
I will eventually spray with a matt vanish to seal the surface.
Work now on display at the 5&33 Gallery Amsterdam.
My current work went on display last night, 100 guests came to the opening. It was well supported and a great night, I enjoyed the opportunity to talk about my work and get it out there, well at least in Amsterdam for the next 6 weeks.